Tuesday, September 26, 2017

Leeds Castle's Festival of Flowers: From medieval fortress to enchanted castle



There were roses tumbling over the walls, orchids gracing the tables and a forest of delphiniums turning a royal bedroom into a magic glade.

And in the Tudor courtyard flowers told the story of Beauty and the Beast, even down to the blood-red rose under a glass dome.

More than 20 displays by designers from around Britain brought 898-year-old Leeds Castle near Maidstone in Kent to life within its state rooms and in the grounds.

Outside was a “Magical Tree” complete with flower-garlanded dream catchers while the moat arch was bedecked with a cascade of colours from roses, purple and white hydrangea, pink chrysanthemums and moonlight carnations.

Even the ruined barbican got the five star treatment with hard-wearing silk flowers hanging before its portcullis.

Many of the flowers are from Colombia in South America, the world's second biggest grower of flowers, and were carried in the bellies of scheduled passenger planes.

The Festival, which runs until Thursday, is the fifth in its current format, and was formally opened by TV gardener Joe Swift.

But the first ever Leeds Castle flower festival was run in 1901 and in the 1930s wealthy owner Lady Olive Baillie was famous for her floral displays at parties attended by Prince Edward and Wallis Simpson and Hollywood stars Errol Flynn and David Niven.

Keeping up the tradition inside the castle was an avalanche of roses tumbling out of a fireplace in the Yellow Silk Drawing Room and a four poster bed of roses and autumn fruits in the Seminar Room.

The Henry VIII Banqueting Hall was given a sumptuous makeover by royal florist Simon Lycett who decorated it from top to bottom with orchids, Chinese lanterns, roses and dahlias.

The winner was declared by Mr Swift to be a vast display of delphiniums and roses on the front lawn called "Once in a blue moon" created by Dennis Kneepkens who had flown in from Beirut the day before to set up the arrangement.

Also in the prizes was the Queen's Bedroom, which was turned into a magical forest by Amy Curtis.

Wednesday, August 23, 2017

Missy Dress – Elegant and Understated Wedding Dresses This Season


Today is definitely a good day and I'm smiling as I'm writing this. You see, sometimes images land in my inbox that literally take my breath away and today, I get to share them with you. It's such a pleasure to introduce you to the truly exquisite latest collection from independent wedding dress designer and maker, Missy Dress.

Before I tell you more about these wonderful dresses, I should introduce you to Missy Dress herself. Missy Dress studied fashion at university but, after graduating with a First, she took a year out to travel and then started working for a charity. However, when a best friend asked Missy Dress to make her wedding dress, she realised that designing and making bespoke wedding dresses was something she loved.

Missy Dress hasn't looked back since and recently has moved into her latest Sheffield studio. Housed in a converted cutlery factory, it's the perfect place for Missy Dress and her small team to make dresses and meet brides.

So, now you've met Missy Dress, let me hand you over to her to tell us more about the beautiful latest collection:

My latest collection is very much a continuation of the last one: soft, romantic, elegant and understated. I've opted for luxurious fabrics in a refined palette of ivory, oyster and silver tones that look great and feel fantastic on. I've remained focused on how brides will feel wearing their dress on their wedding day; everything is super-comfortable and unrestrictive, lined with silk so feels deliciously soft against the skin.

The made-to-measure nature of my work means that I really get to know each bride – I do every consultation and fitting – and these incredible women are my main source of inspiration. I remember the feedback I've had from brides when planning out a latest Collection, and try to ensure that the final designs offer enough variation to please as many people as possible, while remaining true to my own aesthetic. Designs are still fully adaptable by brides – sleeves can be added, necklines altered and fabrics changed etc.

I haven't tried to create a range of dresses that are perfectly of the moment, but rather continued to produce gowns that are timeless and romantic, and sit comfortably alongside my previous collections, which remain available to order at my studio.

I absolutely adore Missy Dress's refined, pared-back style. She keeps things simple and just lets the heavenly fabrics speak for themselves. Missy Dress says her current favourite in the collection is Clematis and this design caught my eye too. There's a real contrast between the full swishy skirt and the delicate lace top.

Friday, July 28, 2017

Get it Growing: It pays to rid plants of faded flowers


Deadheading is an important but often neglected gardening technique. It refers to pruning off old, faded flowers from a plant as it blooms. It is most often done to annuals and perennials, but it is also useful with some summer-flowering trees and shrubs.

A number of advantages to deadheading make it worth the time and effort it involves. For one thing, it improves the appearance of a plant tremendously. Plants that bloom over a long period of time often end up with an accumulation of unattractive, dead flowers and seed pods mixed in with the newly opened blooms. This makes the plant look bad even with pretty flowers on it. If you keep the faded flowers pruned off the plant, it always looks fresh — as if it were just coming into bloom.

Removing the old flowers from many types of plants also will encourage them to bloom more and for a longer period. Annual plants, in particular, bloom for a time, set seed and then stop blooming and die. Regularly removing faded flowers prevents the plants from setting seed. As a result, annuals will respond by producing more flowers over a longer season in a continuing effort to produce seed. Many perennials will send up another flush of flowers if they are promptly deadheaded.

There are other advantages to preventing bedding plants, perennials and bulbs from setting seeds. Unless you intend to grow new plants from the seed produced, it is a wasted effort. Plants commit considerable resources to creating seeds. This effort could be redirected to growing more leaves, stems and roots, leading to a more vigorous plant and, perhaps, more flowers the next season. For annuals and perennials that self-seed, deadheading prevents unwanted seedlings from popping up all over the garden.

Depending on how the flowers are produced, deadheading may involve removing flowers on a single stem, such as gerbera daisies, removing faded clusters of flowers, as on yarrow, agapanthus or amaryllis, or removing faded flower spikes, as on snapdragons or veronica. If they are large enough, individual faded flowers can be removed from a stalk or cluster containing numerous flowers, as on rudbeckia, daylily and stokesia. As individual flowers in a cluster open and fade, they are removed, but buds are left in place to bloom. Once all the flowers have opened and finished, the entire stalk is removed.

When deadheading, always remove the stem that attaches the flower to the plant when you remove it. The idea is to remove any evidence that there was a flower at that location. Besides, headless flower stems are unattractive.

If you miss removing the faded flower and a seed pod has already started to develop, go ahead and remove the seed pod. You may still help encourage the plant to bloom longer or prevent the plant from wasting energy on further developing seeds.

If you do want to collect seeds from a plant or if you want it to self-seed in your garden, you must allow at least some of the flowers to set seed. The best way to handle this situation is to deadhead early in the flowering season and then let some of the last flowers set seed.

While you are deadheading, take the opportunity to groom your plants by removing damaged, unattractive foliage and dead stems or branches. Not only is this healthier for the plants, but it also keeps them looking their best. It is also a good time to inspect your plants for developing insect or disease problems and decide what kind of control, if any, is needed. Notice if any plants need to be staked or supported after months of growth in the garden, and attend to that as well.

A few summer-blooming trees and shrubs can benefit from deadheading. Crape myrtles, vitex and oleander are more likely to produce a second flush of flowers after the first is finished if you are able to trim back the old flowers or developing seed pods. Make your cut just behind a faded cluster or flower spike.

In a few cases, perfectly good flowers can be removed from plants. In the case of coleus and caladium, where the colorful foliage is the star, the flowers or flower buds are removed to encourage production of more attractive foliage. Flower spikes of herbs, such as basil, parsley and cilantro, are also removed to encourage continued production of flavorful leaves.

Once again, the plants that respond best to deadheading by extended flowering are annuals and perennials that bloom over a relatively long season as well as some summer-flowering trees and shrubs, such as crape myrtle, vitex, rose and oleander. Deadheading will not extend the flowering time of shrubs, such as azaleas or hydrangeas that bloom from a set number of buds, or perennials that bloom for a relatively brief season. But it can make them look more attractive and prevent them from wasting effort and energy on seed production.

Tuesday, June 27, 2017

Flowers lovers flock to Vermont bog for wild orchids


Each spring and summer, a Vermont bog yields a rare spectacle — hundreds of wild orchids in bloom, drawing visitors from around the country.

The bulbous pink and white showy lady's slippers (Cypripedium reginae) are on full display among the ferns, bushes and chirping birds at Eshqua Bog in Hartland.

This particular orchid, considered rare in Vermont and a number of other states and different from the more common pink lady's slipper, thrives in Eshqua, because of the wet, sunny conditions, with soils containing peat and lime.

Mary English drove about an hour from Landgrove, Vermont, to see the orchids on Thursday. When she arrived, she had the bog to herself.

"I just wandered through by myself. It was very special. It's like being in a South American country," she said.

A boardwalk allows visitors of all ages and abilities access to the bog and an up-close look at the plants.

"Gosh, aren't they beautiful?" said Heather Crawley, of Maryville, Tennessee, as she studiously photographed the orchids with a special lens on Thursday. "To think it's natural, too."

Visitors can also walk a half-mile trail.

The area is technically a fen because it's less acidic than a bog and fed by groundwater containing nutrients like calcium and magnesium from the area bedrock, according to the Nature Conservancy, which owns and manages the preserve along with the New England Wild Flower Society. The sanctuary includes an 8-acre (3.2-hectare) wetland and 33 surrounding acres (13.4 hectares).

Other orchids also bloom, like yellow lady's slipper in late May and early June and the white bog orchid around now.

The lime-rich groundwater also helps to yield pitcher plants, insectivorous sundew and other plants.

But the orchids are typically the main show for visitors.

"The orchids love it at Eshqua, and people love to see the orchids," said Rose Paul, of the Nature Conservancy.